Adventures in COPING SKILLS

Three years ago I was the inaugural artist for a new and innovative gallery, SeedSpace.  Seed Space is a lab for site-specific installation, sculpture, and performance-based art in Nashville.  The work I exhibited was COPING SKILLS and A PAXIL A DAY.

The COPING SKILLS altar was created in 2007 for the TAKE CARE: Biomedical Ethics in the 21st Century traveling exhibition (2009-2013).  Art reviews about this work, reviews, and images of the show in its entirety can be viewed in the exhibition catalogue.  Basically, the altar was created to honor the medication which allows me to be a successful human, artist, wife, mother, sister, daughter, aunt, and friend.

 

The COPING SKILLS altarIn 2010, an additional benefit to my contacts at SeedSpace is when it began its own CSArt program. At the time, Nashville was only the 4th city to offer Community Supported Artist's shares.  I created 50 small-scale collector pieces of Coping Skills.  We eventually had an installation exhibit of all the CSArtist's work at Nashville International Airport, and they graciously purchased full crates for their permanent collection. One of the works included in the CSArt Crates

At the CSArt Party, where collectors personally interacted with the artists, I was approached by Lee Pepper, CMO at Foundations Recovery Network.  We had a lively conversation about therapy, pharmaceuticals, the stigma against those caring for their mental health issues, and much more.  He brought up an idea about exhibiting my work at a future FRN facility.  Fast forward 3 years and this seed sprouted into a solo exhibition/retrospective that took place April - May of 2013.  The works I exhibited at FRN's Nashville Facility included the following:  Coping Skills and its collector pieces, You Made Your Bed I & IIConstraint SeriesWhat I Really Mean To Say, Is . . . (created specifically for the exhibition), Eat Your Words (it had never been exhibited), and various works as examples of Art Therapy.

One of the best results, other than the amazing interaction with viewers at the opening, was the filming of a 20 minute Art Talk.  I don't have the professionally filmed version available yet , but here is a video shot by my 20 year old son during the talk.  It gives you an idea about my process and theories behind all of the work at the show and work that I am currently developing, such as the BRANDED series (see previous post for details)

So to all you discouraged artists out there, be patient!  The seeds you planted years ago just might grow into a great future opportunity. 

 

 

   

The One-Sentence Artist Statement

Having had a particularly difficult day today, emotionally, speaking - I want to turn the page back to last week when I had some fantastic epiphanies.

Since December and the Miami-Pool Art Fair trip, I have been trying to answer a question I received during my flight wait to Miami.  I was approached by a retired Military officer and asked "Where am I going? And "What do I do?"  One would think that I have a snap answer to that question, but I never have.  Maybe because I really work at breaking down my motivations and analyze my own psyche, I tend to answer in paragraphs or essays, NOT one sentence wonders.

So, I decided I needed to have that one-sentence answer ready the next time I am asked.

If you know me at all, and some of you do, I don't keep anything hidden, I am what I am, for better for worse . . . you know I am NOT a morning person!  I think better at night, I work better at night, and the mornings (i.e., anything prior to NOON) are not me at my best.  Last week, after realizing we would have ANOTHER SNOWDAY and that I could TURN OFF THE ALARM (woot!), I was given the great opportunity to slowly wake up and tiptoe through that twilight of sleep/dream and awake/reality.  What I realized, was that, in one sentence,:

 

I am the most broken item I have ever put back together.  It is a daily process, just like today, when I was literally ripped apart in a public forum for speaking my own truth about my rape.  I am stitching myself back together - I am a one-armed Raggedy Ann, restitching my dismembered arm back to myself.

The 2nd epiphany I experienced last week was the solution to an installation problem with "YOU MADE YOUR BED", a new series I will be installing in March at the "Ladies First", Top 10 Women Artists of Tennessee Exhibition at The Customs House Museum (in honor of women's history month).  Literally, laying 'abed' I visualized the installation solution and got it planned in my brain before I stepped onto the floor.  Here is 1/2 of the installation:

 

So, what I have learned this month?

1)  I realized what I do is, metaphorically and, literally, "I Put Back Together Broken Things", and

2)  Just as I am responsible for what my truth is, so are others, and there are deep and lasting crevices that are created from speaking one's truth.

 

 

 

 

One Week Until The Renaissance Center Opening!

 


n-cap.org and THE RENAISSANCE CENTER announces TAKE CARE: BIOMEDICAL ETHICS IN THE 21st CENTURY, a group exhibition.


Dickson, TN, January 7, 2011 – n-cap.org, along with The Renaissance Center, is proud to announce the opening of TAKE CARE, BIOMEDICAL ETHICS IN THE 21st CENTURY.  The artists of TAKE CARE began organizing the concept and exhibition in 2006-2007, and we are proud to bring the show near its birthplace, Nashville, TN.  Conceived by Nashville artist, Adrienne Outlaw, and organized with the assistance of fellow artist, Sher Fick, of Spring Hill, TN, the exhibition has traveled from Grand Rapids, MI, all the way to Miami, FL for the recent Pool Art Fair. 


Description: The TAKE CARE show highlights biomedical and ethical dilemmas, including: genetic engineering, pharmaceutical therapy, human reproduction/fertility therapies, mitochondrial DNA, familial connections, fetal annomalies, unregulated scientific testing, and the psychological/emotional impact of confronting these decisions, with the hope that viewers will take the opportunity to better appreciate the complexity of these personal decisions in a rapidly changing world.  Works include: ceramic sculpture, video art, mixed media, glass sculpture, embroidered paintings, and photography.


The Renaissance Center is located 35 minutes West of Downtown Nashville in Dickson, TN (855 Hwy 46 S).  The opening artist's reception will be Friday, January 14, 2011, from 6 -8 pm, and the exhibition will be viewable through Feb. 5, 2011.  Reception is OPEN TO THE PUBLIC and is FREE.

To read more about TAKE CARE, visit www.n-cap.org/take_care.html
 
TAKE CARE is a group exhibition including the following artists: Annette Gates (GA), Kristina Arnold (Bowling Green, KY), Adrienne Outlaw (Nashville TN),  Sher Fick (Spring Hill, TN), Lindsay Obermeyer (Chicago, IL),  Monica Bock (NE USA), Sadie Ruben (Copenhagen, Denmark), Jeanette May (NYC), and Libby Rowe (TX, formerly a Photography Professor at Vanderbilt University).
 
Excerpts taken from Art Reviews by Internationally-known critics, include the following:
 
“[T]he nine artists participating in TAKE CARE reveal that there is no definitive right answer to the question of biotechnological advancement. It is the informed dialogue that is paramount.”

“Through their artwork these artists explore the crucial social, economic, and ethical implications of biotechnological advancements and create a space for important dialogue.”

“As Dr. Sirine Shebaya, Greenwall, Fellow in Bioethics and Health Policy at the John Hopkins Berman Institute of Bioethics, writes, ‘The best way to avoid slippery slopes . . . is to have . . . a voice in arriving at decisions with such important ramifications.’ These artists are that voice.”

-          Tonya Vernooy, Art Critic/Writer

“The artists in this exhibition apply the unresolved implications of this phrase “TAKE CARE” to their personal experiences. Together they catalog a plethora of contemporary concerns.”
 
“The artists participating in “Take Care” confirm a distressing truth – today’s mothers do not appear to be bolstered by the collective wisdom of our species. Motherhood in the 21st century remains a lonely experiment racing to keep up with procreative advances at the outposts of human accomplishment.”
 
-          Excerpts from Linda Weintraub, International Contemporary Art Critic/Author/Lecturer

“TAKE CARE is an art show about the challenges of new life and especially those problems inherent in an increasingly technological world.”

“TAKE CARE addresses an issue which is at the heart of art practices, that is the nurturing and understanding of intentional and unintentional creation and it provides a range of aesthetic reactions to this crucial issue.”

“TAKE CARE is considered a “bioethical show” because it points at the departure from one era of motherhood and traces the outline of a new one.” 

-          Veronica Kavass, New York Based Artist/Art Critic

“The artists in TAKE CARE explore the ways that social and scientific developments influence our understanding of . . . connection and caring.” 

-          Ellen Wright Clayton, MD, JD - Rosaline E. Franklin Professor of Genetics and Health Policy, Professor of Pediatrics, Professor of Law, Director of The Center for Biomedical Ethics and Society at the Vanderbilt University Medical Center

Full Reviews of TAKE CARE (or reviews of works included in the exhibition), may be found on Artist Sher Fick's blog: Linda Weintraub, Chen Tamir, Rachel Bubis, Ellen Wright Clayton, MD, JD, and Tonya Vernooy.
 
For detailed directions, fill in a departure address at this link:
http://www.rcenter2.org/index.php?option=com_content&view=article&id=20&Itemid=25

The opening Reception, to be held Friday, January 14, 2011, 6-8pm, is FREE and OPEN TO THE PUBLIC, and includes additional exhibitions (see invitation, above).

Contact Information:  Jason Driskill, Curator & Gallery Director, The Renaissance Center, 615-446-4450
or Sher Fick, representing TAKE CARE Artists, Cell 615-975-1025.  All artist can be made available for interviews, (please contact Sher Fick at sherfickart@gmail.com for high-res, print ready images of TAKE CARE.

Full Circle in 2010

So, it is happening!  Can you hear it?  Kind of a buzzing fly that you can't swat away, or perhaps a vibration you can feel in the floorboards?  Impending, non-stoppable, inevitable . . .

2011

It is a mystery to me how EXACTLY this happened, it seems as if it was only yesterday that I was lying prone on my back with slipped discs and a numb leg!  I am so happy that the June laminectomy and discography went so well - not so happy about the pain after the surgery, though!  Honestly, why don't humans just lose their minds from excruciating pain?  Regardless - I am now at 1/2 way recovery and just need to work on my strength so that I can begin  a fuller work schedule.

What I was able to accomplish (mostly from the couch) in 2010: 

a) continuation of handicapped mothering,

b) lots of Mario Cart tournaments

c) after-school chat fests with my crazy, individual children and their numerous friends,

d) teaching piano to the girls, playing from my childhood music books,

e) watching and rating Netflix movies,

f) re-designing my closet,

g) marketing some traveling exhibitions,

h) exhibiting new work in April, and

i) ending the year with a great show in Miami, simultaneously having a great vacation with my hubby.

When I begin to envision 2011 - these are my hopes and dreams:

I would love to make some type of money, I am truly worn out from the hand-to-mouth (really, empty art accounts and charging art supplies to credit cards); I am considering doing some legal transcription or some other type of work-from-home set up . . . but something that pays!  This would still enable me to be accessible to my children as they need me . . . help Dylan get settled into his 1st year of college (woot!) . . .

Artistically things appear to be building steadily, but it costs money to maintain that - thus, the money needs above . . . I am really excited about TAKE CARE's group show in January at The Renaissance Center in Dickson, TN . . . and later in the year at Vanderbilt University. 

I have been designing a new piece for the Custom House Museum's Women's History Month (March), again.  The idea has been brewing in my mind for years and it will be exciting to see it come into fruition.

Also in March I will be travelling with the hubby and newly graduated son, Dylan, to the Keys for his Graduation Trip, his Graduation in May . . . and the Fall will bring my 20th wedding anniversary (I hope I will be skinnier for that)!

I don't have any specific 'New Year's Goals', but I am aiming my focus on a better balance of spirit, work, and family.

2010 started with me being broken physically and I am happy to be feeling on the mend as another year has come FULL CIRCLE.

 

So, enough about me!

What are you planning to do with your life this year? 

Your 365 days?? 

What will you fill your hourglass with, before time runs out????

 

 

Miami Hangover - The Pool Art Fair

So, big happenings at Pool Art Fair - Miami 2010:

Our suite at the Carlton Arms Hotel was spectacular (it did look smaller upon arrival than the pictures), but our installation exhibit looked fantastic.  7 of the 9 artists of TAKE CARE participated:

The Opening was well-attended and included a live band - Pocket of Lollipops . . . and there were approximately 20 rooms and suites transformed into galleries, installations and group exhibitions.

Views of our TAKE CARE installation:

 

 

 Images:

  1. Adrienne Outlaw's FECUND SERIES
  2. Kristina Arnold's DRIP
  3. Sher Fick's  COPING SKILLS
  4. Libby Rowe's WOMB WORRIES
  5. Lindsay Obermeyer's SHADOW SERIES
  6. Jeanette May's - A.R.T. Series
  7. Sadie Ruben's ALIEN FETUSES

Every time this exhibition travels and installs we learn new things.  Miami taught us to consider non-gallery spaces and their lack of lighting.  What was required of us was a real collaboration, not of the artmaking this time around, but the actual logistics of the exhibition . . . we kind of all chose different hats and did the work that we were best at, including preparing literature, color correcting images, communication between artists and between the group and the exhibition organizers, printers, and graphic artists, the physical driving of the show in a van to Miami, installation, moving furniture, running errands, and then the glory part - attending the exhibition and 'manning' our suite during the 3 day event.

Luckily for us my husband, Don, was there and pitched in, too.  It is always nice to have someone taller, stronger, and cuter around!  We (Don and I) were lucky to stay on beautiful Sunny Isles Beach for the entire week and relied on the local buses for transportation - we really got the local flavor and saved so much money; for instance we took the 'Airport Flyer' from the airport for $2.35 each, vs. paying $54.00 for a cab - that really adds up when you are eating out every day.

The actual 'post-mortum' blog will immediately (within the week) follow this posting . . . where I will get into the deeper implications of Art Fairs, Grant Writing, Travel, and What Do Collectors Mean For The Artists????

Until Then,

Take Care

& For Art's Sake,

 

 

 

 

 

 

 

 

The Miami Countdown

5, 4, 3, 2,

1 - Yes, I am on the LAST day of the Miami countdown.

Upon reflection this countdown started approximately 4.5 years ago when Adrienne Outlaw first conceived the idea of the TAKE CARE exhibition.  It has been a 'long and winding road', but definitely one that provided tons of learning experiences.

It is amazing how well you can get to know an artist that you have never met face-to-face!  Although our work has obvious correlations, 'clicking' with personalities and life experiences is not a given.  We are all so blessed to have made friends and 'comrades' along the way.

Besides the countless 'unpaid' hours artists devote to their work and exhibitions, there is an emotional expense.  All we can hope for is that when the works are ultimately unveiled to the public that we reach a few people (well, to be honest, I have higher hopes for Miami as it is a 'contemporary' art fair!), people who 'get' us and our work - who might on some level appreciate the blood, sweat and tears that create the work and bring it to the public.

So, I head off to Miami with a few things in my mental pocket:

a)  excitement to meet some of my 'new' artist friends

b)  anticipation about watching the public viewing our exhibition

c)  hope that our work will be well-received by the knowledgeable International Art Community (including collectors, curators, and art enthusiasts)

d)  but, more than ANYTHING, I am looking forward to a sense of accomplishment, which is something that is beyond monetary value.

 The anticipation kind of feels like waiting for a baby to be born - we are all ready - now we are just anticipating "the day"!  We have high hopes for our impending creation:  TAKE CARE: Biomedical Ethics in the 21st Century!

 

 

 

 

Woman Artist MIA for Two Months, Reappears, Injured, But Determined

Quick Update on Why I Have MIA on MY OWN BLOG . . . After a big health in October (dogging breast cancer but still needing to have a lumpectomy) and then having my former health issues of an injured back flare up again (culminating in a painful herniated disc) - the last month has been all about getting through the holidays, family visits, and getting myself to and from the chiropractor . . . I still have some very bad, pain-filled days which has caused me to be fighting off depression . . . but I think I have turned a corner today. Today I turned in my Fellowship Grant to the Tennessee Arts Commission.  It has been a goal for 3 years and this is the first time I didn't miss the deadline.  It almost happened, but somehow, with the help of friends and my supportive husband - that paperwork was delivered! As to the 'art', here is what has been going on since my last entry: Currently I am on the couch with my left elbow up so I can type with 2 hands.  This gets very tiresome, however, I can research and play lots of games with only my right hand! (note: I am not to sit more than 15 minutes at a time) So - more good news this week (if you haven't seen my Facebook updates) . . . 1.   I will be part of Miami Basel in December (hopefully, my pants shan't fall down as happened to a dear friend in the Miami Airport).  This will be the traveling exhibition I have been in Take Care  .  My work in it will be Coping Skills, see below. 2.   My art was featured on the Home Page of   OvationTV  (might still be there). 3.  Yesterday Adrienne Outlaw and myself were invited to be part of a museum exhibition (based on our pharmaceutical work) at The Customs House Museum & Culture Centerin Clarksville, TN for March-April  - which is actually an amazing place for kids and adults.  Not sure of exact dates or our exhibition title yet, but there you go!   The exhibition will feature 10 Distinctive Contemporary Women Artists - celebrating National Women's Month.   4.  I got the fellowship grant delivered 4 pm today to Downtown Nashville.  I don't want to throw away that 5K!  Keep your fingers and toes crossed - it would truly be a blessing to have those funds for attending a workshop at Arrowmont, to purchase more art supplies and studio equipment . . . it would be a miracle. So, if I can just live through this herniated disc, I can accomplish all these things.  I have decided not to travel to NYC for the (group) Queens, NY show in February at Flux Factory- but I will still travel to the Gulf Coast Florida show that I am assisting in the jurying . . . doing this with an art friend, Aletha Carr, because she can drive and I can be prone on her back seat . . .  so I have about a month to be mobile. Even more great things -   I made some new art a few weeks ago - it has many excerpts from emails sent by friends about encouraging me in my art.  Created from encaustic, tin, model magic, archival inkjet, tracing paper.  14"h x 12"w x 12"d.  Created for "CALL HOME" installation at Flux Factory, Queens, NY - February, 2010.   "YES YOU CAN . . . HAVE YOUR CAKE AND EAT IT, TOO" YES YOU CAN . . . HAVE YOUR CAKE AND EAT IT, TOO!           Detail view of "YES YOU CAN . . . " Currently (November '09 - March '10) I have an installation up at seedSPACE, Nashville, TN - it consists of site-specific installations and include: Coping Skills and A Paxil A Day: Coping Skills          Detail View of A Paxil a Day  above right: (detail of A Paxil A Day) - it actually covers a 4 ft x 6 ft wide area and can have as many as 169 units . . . Fresh off the press is "JUST DESSERTS" Just Desserts, 3"h x 11"w x 8"d        Detail of "Just Desserts" consists of: glass vanity mirror tray, foil candy cups, lucite cones, fabric, silicone So - I feel like I am completely unaccomplished, but I guess a few things are going on beneath the surface. So, what do you think???
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Unconfined Perspective

Obviously I have been lost for a month or so - at least to my blog.  It is the never-ending struggle of balancing my 'daily' life with my 'art' life, which somehow doesn't seem to co-exist very well during certain times of my life.  As you know, I don't have a 'day' job or a salary.  So, what, EXACTLY, do I do with my time??? I've been trying to figure that out myself.  When I do get down into my beloved, treasured studio - I am extremely productive.  In fact, I am amazed sometimes at the amount of work I can get accomplished overnight.  It is the 'getting down there' that is the problem at hand. Studio Image from Fall 2009 Studio Image from Fall 2009 Unbeknownst to some, the work of an exhibiting artists entails caboodles of paperwork.  Some days it feels like I have made work (let's say 1 day that week), but the rest of the time is spent marketing, proposing, begging for grant money, all in an effort to have that work get out to the public.  I've been struggling with this, too.  Is my work created just for me?  Would it be enough to make it and keep it hiding here in my house?  If I do keep it here, what does that make it?  A hobby? Finished Encaustic Assemblage Work - on studio shelf Finished Encaustic Assemblage Work - on studio shelf I think intent is so important here - my intent when I make objects or alter them is to make commentary on social issues.  Therefore, I have a calling to do social interpretation . . . which, therefore, requires a society to interact with them.  Would it not be so much easier if I just wanted to quilt something to keep myself and my loved ones warm?  Here is my stick - that isn't enough for me. So there.  It isn't enough for me.  So my calling is to make and my duty is to get it out there.   Towards that end I had the 2 trips to Grand Rapids for Artprize in Sept/October.  I still had my broken ankle and that made things more difficult - but the installations were great and it was seen by more than 10,000 viewers.  I found out during that trip there is still much gender-bias in the art world.  I am disappointed, but more determined than ever to move forward. Coping Skills, as lit at ARTPRIZE 2009 Coping Skills, as lit at ARTPRIZE 2009 Also during October were 2 of my kids' birthday parties (Claire's 7th was a happening in and of itself) . . . more company and then in November I had the honor of being chosen as the first ever seed SPACE artist in Nashville, TN.  [NOTE: seed SPACE is a lab for site-specific installation, sculpture, and performance-based art that brings attention to the excellence, diversity, and interest in contemporary art in Tennessee.  seed SPACE brings in nationally recognized art critics to write exhibition essays.]  My art reviewer was Chen Tamir the Director of Flux Factory, Queens, NY.  seed SPACE is currently developing their website - I will provide their link when it becomes available. Having an interview with a critic is not an easy thing.  I am a very open person (obviously) - but I find that each time I have had a one-on-one with an art critic (including Linda Weintraub) the experience has cracked my art spirit wide open - even further than it was prior to the interview.  I have likened it to having a living autopsy performed on oneself.  I maintain that opinion.  The benefit of going through this process is that the critic/reviewer, from their UNCONFINED PERSPECTIVE, can see all the connections and scars and various conditions of your lifework.  Talk about insightful.  Revelatory.  Cathartic.  I could go on and on. Thomas Eakins' THE GROSS CLINIC Thomas Eakins' THE GROSS CLINIC This all brings me to the following  responses about the experience:  the first draft review is incredibly astute and I appreciated the seriousness with which Chen viewed the work and our interview.  It  is invaluable to me, as a developing artist, to have such direct and unconfined perspective on my works to date.  Interestingly enough, these interviews always spur in me an even greater understanding of who I am becoming and my place in the world - let alone the deeper investigations with the works themselves. There are many other things which have occurred, including the beginnings of several new series, but November seemed to focus on investigating previous works as they are being exhibited.  Additionally, I have 3 years worth of blogs to re-load all the images for due to my Typepad/Wordpress transfer - total debacle! As I move into December, it begins another year of my life - my 43rd.  Although some have mistakenly dismissed me as a bored housewife, I can tell you - there is little that would be more difficult for me to attempt than to nurture my art at the same time I try to raise a family.  If I only needed to be entertained, i can think of much funner, cheaper, and immediately gratifying than being an artist.  It is not the easiest route.  Forging a new path never is.
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Afterthoughts - ArtPrize 2009 - Take Care

Entrance to Gallery 114, KCAD- Annette Gates "Colony" Series on Right Entrance to Gallery 114, KCAD- Annette Gates "Colony" Series on Right
Sadie Ruben's "Alien Fetus"; Sher Fick's "Coping Skills"; and Kristina Arnold's "Drip"
Sadie Ruben's "Alien Fetus"; Sher Fick's "Coping Skills"; and Kristina Arnold's "Drip"
  By Golly I am back . . . I lost a few posts due to the hacking of my blog and the subsequent confusion it caused. Eventually I had to delete EVERY SINGLE image from the transferred Typepad posts and delete several new Wordpress posts . . . Therefore, I have a huge hole to dig out of! It will take me some time, of course. Here are few quick images of the installation which took place at Kendall College of Art & Design, Gallery 114 during Artprize 2009. Obviously, we didn't win any of the money, but our exhibition was seen by more than 10,000 people!!! Coping Skills by Sher Fick Coping Skills by Sher Fick With the great assistance of the Curator, Sarah Joseph, and her brilliant gallery assistants - we were able to unpack and install the 9 artists exhibition in 2 short days. www.kcad.edu After 3 weary days in Grand Rapids, MI (I adore that city), I limped home by way of Indiana and was able to enjoy two visits my sister Lisa in Indianapolis and a large family get together as well. Once home, I prepared 2 birthday parties: Claire's 7th, an American Girl Tea Party, and Dylan's 17th - Gaming/Pizza Party.  Lots of help from my sister Susan and Mom & Don's Mom as well! Adrienne Outlaw's "Fecund Series" Video Installation Adrienne Outlaw's "Fecund Series" Video Installation What was amazing to me was that the many years of work that Adrienne (www.adrienneoutlaw.com) and I did - actually came to pass.  To see our work hung in a professional location, in a professional manner (kudos to myself) - it was astounding and very gratifying. It stood up admirably against every high-end, contemporary work I saw at ArtPrize.  Although the process was very costly (think: printing for brochures, travel to and from, hotels, gas, food, rental car . . .) - I believe it was worth the expense and time involved.  Note: no money has been made by anyone - in fact, all we have encountered is expense and unpaid work time . . . we are doing this in the hope that someone, somewhere, will find the social and economical value of our work and become either future venues and/or collectors.  What a shot in the dark!!!!  Does this make us stupid? Libby Rowe's "Womb Worries" Libby Rowe's "Womb Worries" The experience, after 3 years of research and hard work was satisfactory for the most part.  I feel I know this work inside and out and have a good feel for the importance of our viewpoint.  What seems to be disappointing is the gender bias we are still facing at the dawn of the 21st century.  One would think that males in 'art' would have evolved with technologoy - but that is not the case.  Those males in 'mid-power' postions were 'not interested in what we [women] had to say.'  They looked over the fact that we are a group of 9 highly talented artists.  That we cover the gamut of craftsmanship and technique.  All that was obliterated and ignored because they felt our message was 'not interesting' to their testosterone brains nor to their students - both male and female.  Well guess what - that really chaps my ass!  Our exhibition is not only about reproduction (which includes both MALE and FEMALE to get that going - apparently they didn't have sex education in high school), but the scientific and ethical issues which are now facing 21st century parents.  The very generation which is bringing forth ground breaking therapies, 'growing' their very own children - that subject is unworthy and below them!  Lindsay Obermeyer's "Shadow Series: The Blues & Red Hot" Lindsay Obermeyer's "Shadow Series: The Blues & Red Hot" with Monica Bock's "Fluid/Sac/Cord" in foreground So, eh hum, I lose major respect for any sculpture male professor who judges an incoming artist on their gender.  Grow up Neanderthals! Open your eyes - you are outnumbered according to the world census records and you will not be pro-creating with anybody if you continue your male chauvinist pig attitudes.  Plus - you suck! I am so proud of each and every one of our artists included in "TAKE CARE" - we prove the addage - those that can DO -  Do. . .. finish that phrase on your own if you have the brain power. Left: Jeanette Mays "A.R.T. series" with Annette Gates "Colony" Series on Right Left: Jeanette Mays "A.R.T. series" with Annette Gates "Colony" Series on Right This crap makes me so tired.  There seems to be very little respect in America for artists' time and expenses that they 'in good faith' enact with very SLIM chances of success.  There are a few good apples out there - but the way we are treated in the USA is vastly different from artists in Europe.  On my recent travels in Europe, when I replied that I was an artist - the people practically bowed to me.  Yes - what we do - when it is done well - is sacred and deeply deserving of respect. Yes - I will make art no matter the price.  But does that mean I should be a pauper and GIVE AWAY for free what I have spent money studying to do - I pay for supplies - etc? It is all so very confusing as I also have many dreams for my children and their educations, which also cost money.  So - I'm back - I did receive a $1,000 grant to reimburse part of my expenses . . . so all in all, I am only about $2,000 in the hole for being part of Art Prize.  I am hoping this ends up being a marketing expense and that someone out there sees the value of Art In America - and can free themselves from any bias to art created by women.
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New Work from the Studio - July 7, 2009

After weeks and weeks of very stressful paperwork, I spent Monday with my favorite art buddy, Aletha Carr (www.alethacarr.com).  We had a nostalgic lunch at Long John Silver's then spent about 2 hours roaming the aisles of Hobby Lobby.  We just love walking the rows and imagining different ways to use their products . . . and the sales are phenomenal. As usual, Aletha left with one bag and I left with my cart full and Aletha using her cart for the rest of my bounty . . . One of the great items we re-imagined was the use of these model acrylic displays:  First Comes Love First comes love, then comes marriage, then comes Jane pushing a baby carriage . . .   "FIRST COMES LOVE", July 2009   (Note: top fabric includes one of my children's hospital, flannel receiving blankets).     "SOCKMONKEY LOVE",Sock Monkey Love July 2009   Overall these new pieces are extensions of "Coping Skills" and will be collector items of smaller size.                          "VANITY TABLE I - RUBBER DUCKY, YOU'RE THE ONE" July, 2009 (detail below) 72yourtheone   I have tons of encaustic paintings started, but am saving those for days when I won't be distracted by children, the phone, etc.  I definitely feel the embers heating up - ready for a major production of work to result. Yippee!
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It's Official - Showing at Art Prize 2009, Grand Rapids, MI

Momentous day as contracts were finalized yesterday with Kendall College of Art & design (www.kcad.edu) for the exhibition of TAKE CARE!  TAKE CARE: The Art, Science & Bioethics of Motherhood (www.n-cap.org/take_care.html) will be on display in Gallery 114 at KCAD from September 23 - October 8, 2009. Artprize will provide a $250,00 grand prize to the artwork which receives the most public votes (visitors text their votes).  The top ten favorites will receive cash awards. So far, artists from around the world have entered and we are very encouraged to be in the first group of selections. Now we are rushing to update ourinformation for an up-to-date catalog which will be available during the event.  After Artprize, TAKE CARE will travel through 2013.  We are still scheduling venues, please contact us if you have any ideas about venues or curators who might be interested in exhibiting TAKE CARE. Please visit all the artists' websites, linked at the n-cap site, above. This process, from beginning to fruition has been one of persistence and commitment.  The first ideas of this exhibition were verbalized in 2006, artists were selected in 2007, and finally in 2008 some of the work was realized.  Marketing the exhibition has been a huge time commitment for Adrienne Outlaw (www.adrienneoutlaw.com) and myself . . . but as the reviews began coming in (see March/April archives), we started see the results of our ideas and confirmation of our groundbreaking viewpoints. So last night, Don and I celebrated with our friends and neighbors, Chad and Jennifer, by enjoying a gorgeous and delicious bottle of Primitivo Italian wine and some imported Sorrento Limoncello.  It was divine. Salute!
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