Starving Artist's Brief Love Affair With Freelance Writing

We all know the money just isn't there when it comes to art collectors in our current economy.  We also know I have been fruitless in my search for gallery representation, even though I have a stellar contemporary art resume and several series of work ready to install - including small collector pieces.  So, what to do????

Over the last few months I was becoming so frustrated with this issue that I decided to try my hand at Freelance Writing.  What a hoot the last 10 days has been . . . yes, I have been writing, but it is for a mere pittance.  I guess I can say that I made more than I spent on art supplies this week, but I'm not really sure that is true!

So, I might be making the same salary the above beauty made on her then hot technology . . . I plan on refining what I work on and, hopefully, increasing my pay as I continue.  I am just not that intrigued by creating resumes and scripts for instructional videos . . . I have been requested for jobs which puts me on a bit higher pay scale, but it is definately not something I can make a living on.  

In the meantime, if any of you know of opportunities that could use my sharp tongue, witty humor or artistic flair, send them my way!

"AM WILLING TO WORK FOR ART SUPPLIES" - that should be my next piece of work - sharpie marked onto a straggly piece of cardboard!

 

 

  

 

 

Afterthoughts - ArtPrize 2009 - Take Care

Entrance to Gallery 114, KCAD- Annette Gates "Colony" Series on Right Entrance to Gallery 114, KCAD- Annette Gates "Colony" Series on Right
Sadie Ruben's "Alien Fetus"; Sher Fick's "Coping Skills"; and Kristina Arnold's "Drip"
Sadie Ruben's "Alien Fetus"; Sher Fick's "Coping Skills"; and Kristina Arnold's "Drip"
  By Golly I am back . . . I lost a few posts due to the hacking of my blog and the subsequent confusion it caused. Eventually I had to delete EVERY SINGLE image from the transferred Typepad posts and delete several new Wordpress posts . . . Therefore, I have a huge hole to dig out of! It will take me some time, of course. Here are few quick images of the installation which took place at Kendall College of Art & Design, Gallery 114 during Artprize 2009. Obviously, we didn't win any of the money, but our exhibition was seen by more than 10,000 people!!! Coping Skills by Sher Fick Coping Skills by Sher Fick With the great assistance of the Curator, Sarah Joseph, and her brilliant gallery assistants - we were able to unpack and install the 9 artists exhibition in 2 short days. www.kcad.edu After 3 weary days in Grand Rapids, MI (I adore that city), I limped home by way of Indiana and was able to enjoy two visits my sister Lisa in Indianapolis and a large family get together as well. Once home, I prepared 2 birthday parties: Claire's 7th, an American Girl Tea Party, and Dylan's 17th - Gaming/Pizza Party.  Lots of help from my sister Susan and Mom & Don's Mom as well! Adrienne Outlaw's "Fecund Series" Video Installation Adrienne Outlaw's "Fecund Series" Video Installation What was amazing to me was that the many years of work that Adrienne (www.adrienneoutlaw.com) and I did - actually came to pass.  To see our work hung in a professional location, in a professional manner (kudos to myself) - it was astounding and very gratifying. It stood up admirably against every high-end, contemporary work I saw at ArtPrize.  Although the process was very costly (think: printing for brochures, travel to and from, hotels, gas, food, rental car . . .) - I believe it was worth the expense and time involved.  Note: no money has been made by anyone - in fact, all we have encountered is expense and unpaid work time . . . we are doing this in the hope that someone, somewhere, will find the social and economical value of our work and become either future venues and/or collectors.  What a shot in the dark!!!!  Does this make us stupid? Libby Rowe's "Womb Worries" Libby Rowe's "Womb Worries" The experience, after 3 years of research and hard work was satisfactory for the most part.  I feel I know this work inside and out and have a good feel for the importance of our viewpoint.  What seems to be disappointing is the gender bias we are still facing at the dawn of the 21st century.  One would think that males in 'art' would have evolved with technologoy - but that is not the case.  Those males in 'mid-power' postions were 'not interested in what we [women] had to say.'  They looked over the fact that we are a group of 9 highly talented artists.  That we cover the gamut of craftsmanship and technique.  All that was obliterated and ignored because they felt our message was 'not interesting' to their testosterone brains nor to their students - both male and female.  Well guess what - that really chaps my ass!  Our exhibition is not only about reproduction (which includes both MALE and FEMALE to get that going - apparently they didn't have sex education in high school), but the scientific and ethical issues which are now facing 21st century parents.  The very generation which is bringing forth ground breaking therapies, 'growing' their very own children - that subject is unworthy and below them!  Lindsay Obermeyer's "Shadow Series: The Blues & Red Hot" Lindsay Obermeyer's "Shadow Series: The Blues & Red Hot" with Monica Bock's "Fluid/Sac/Cord" in foreground So, eh hum, I lose major respect for any sculpture male professor who judges an incoming artist on their gender.  Grow up Neanderthals! Open your eyes - you are outnumbered according to the world census records and you will not be pro-creating with anybody if you continue your male chauvinist pig attitudes.  Plus - you suck! I am so proud of each and every one of our artists included in "TAKE CARE" - we prove the addage - those that can DO -  Do. . .. finish that phrase on your own if you have the brain power. Left: Jeanette Mays "A.R.T. series" with Annette Gates "Colony" Series on Right Left: Jeanette Mays "A.R.T. series" with Annette Gates "Colony" Series on Right This crap makes me so tired.  There seems to be very little respect in America for artists' time and expenses that they 'in good faith' enact with very SLIM chances of success.  There are a few good apples out there - but the way we are treated in the USA is vastly different from artists in Europe.  On my recent travels in Europe, when I replied that I was an artist - the people practically bowed to me.  Yes - what we do - when it is done well - is sacred and deeply deserving of respect. Yes - I will make art no matter the price.  But does that mean I should be a pauper and GIVE AWAY for free what I have spent money studying to do - I pay for supplies - etc? It is all so very confusing as I also have many dreams for my children and their educations, which also cost money.  So - I'm back - I did receive a $1,000 grant to reimburse part of my expenses . . . so all in all, I am only about $2,000 in the hole for being part of Art Prize.  I am hoping this ends up being a marketing expense and that someone out there sees the value of Art In America - and can free themselves from any bias to art created by women.
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Why are we here?

We found ourselves here.  On this blog.  In this world.  Connected through a fragile web of - you know what, I don't even know what a web really is.  I don't know how they work, technologically speaking.  Someone figured out how to harness a binary code through the energy of light, friction, something and it all got mixed together and - poof - we now have the web, blogs, and what have you. So, we communicate.  We tell each other when we pee.  What we had for dinner.  It is the ultimate waste of energy, really.  I mean, come on - do I need to know that you pee?  Perhaps if you have had some medical problems and you are sitting on my red couch - that is when I need to know. So what do I want from my little spot in the 'web' - why do I want to 'lure' you into my world? Words cause so much pain.  They are just little marks, gathered together, and scratched somewhere.  But they remain.  You can never unspeak a word. Sorry doesn't cut it.  Not in my book. Words can heal.  But sorry is not one of those words.  It needs to be more than that. I want to have fun.  I am fun.  But ultimately, my goal with my art, with my blog, and anything else is in my life is to grow and assist.  To serve others.  How can I connect?  Mainly through images, because there is no language barrier there.  Yes, images can be misunderstood from my intentions, but I have much better chances of being felt through my work, than through mere words alone. There are so many bad things in life.  They happened.  We remember.  They are happening now.  We will remember them tomorrow.  Pain that is unhappened.  I don't want to ever remember.  I don't want a reason to remember. Let's decide together to "Imagine" a world where no one intentionally uses words to attack and belittle.  It is my wish for the world today. I make an oath that here, in my little corner of the web, that I will never condone or exhibit words of pain. You are too precious to me. I am mourning a sense of lost innocence - for the umpteenth time in my life.  I don't want to be the source of pain for anyone . . . we must put out more hope and empathy.  Have more patience.  Everybody has their own stories of pain.  Those that stab with words must carry so much pain, they are just releasing a little of it.  I am prayer walking in my soul tonight . . . all night.  Again.  Searching for peace.
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Eat Your Words - Museum Installation 2010

oh, speaking of “donating for art” - I am making this constant, never-ending sculpture of crazy-quilted prescription bottles - and I received hundreds (of bottles) from everywhere - you put out a call and the people will deliver!!! To the right you see the first stage of the prescription bottle installation - I sent our requests and I received envelopes and boxes from the following: Nancy Hayes, Julie Anderson, Lydia Weaver, Lydia Weaver's Whole Water Aerobics class, Dr. Nancy Kelker, Andrienne Outlaw, Alicia Beach, Lloyd and Shirley Curry.  I hope I haven't forgotton anyone! The point being is that we are RE-USING an item prior to its location in landfills, thus clogging up nature for hundreds of years.  We are not even melting them and reshaping them - we have found something useful to do with them in their current  discarded stated!!!!!  Pre-Cycling!!!   This is how the prescription bottle piece turned-  COPING SKILLS, 48"h x 53"w x14"d, wood, mirror-floored shelf, crazy quilted attached prescription bottles.  Honors the help that myself and others receive from altered mood and anti-anxiety pharmaceutical assistant.  I am thankful for the joy I can now have in my life because I am not a raging lunatic anymore! BE PART OF 'EAT YOUR WORDS'  My next “community” piece is going to be “Eat Your Words” - it will be an acrylic-suspended table, with all clear acrylic dishes/silverware/bowls, etc. and the “food” will be colored paper printed with hurtfully email messages which have been sent and/or received. This idea came about when I had a dream that I was cooking fried chicken breaded with shredded words (one of my personal icons in my work) . . . so if anybody wants that nasty email from Uncle Fester to be part of the piece, email me a copy of said emails (you can edit names or addresses, but the papers will be shredded/cut) to: sherfickart@gmail.com with “Eat Your Words” in the subject line If you prefer snail mail:  Sher Fick, 1023 St. Hubbins Drive (Studio), Spring Hill, TN 37174   Such as:  an entry might look like this: To: sherfickart@gmail.com From: joejones@jonesy.com    (provide real name and address if you want to be listed in the exhibition catalogue - your name won't be with your words submitted, and REMEMBER the worlds will be shredded! Re:  Eat Your Words Installation "Well, I hope you feel good about yourself now that you made Granny cry on HER birthday.  Who do you think you are.  What gives you the right to take the attention away from Granny just to say you are pregnant with another brat.  You are getting too big for your britches, Girl!  You better watch yourself.  You gonna steal all Granny's money cause she feel sorry for you.  Over my dead body". I will also give credit to all donators in the exhibition catalogue, so send your name, address, with email along with it, so I can keep you posted and give credit where credit is due! Feel free to pass this information along - the more the merrier - and this series might take on a life of its own and last as long as the prescription bottle one - i.e. - my whole life! When Adrienne did her last piece (Shelter, see http://www.adrienneoutlaw.com ) we had hundreds of volunteers . . . it is amazing to do community projects. I believe that with eat piece of paper that is donated, that we can erase those negative words from our minds as they will be ritualistically shredded and then used as a piece to great a fantastic social-interactive event.
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